{"id":11355,"date":"2024-05-15T14:50:44","date_gmt":"2024-05-15T14:50:44","guid":{"rendered":"https:\/\/casa.fmleao.pt\/speech\/"},"modified":"2025-05-12T13:13:26","modified_gmt":"2025-05-12T13:13:26","slug":"speech","status":"publish","type":"page","link":"https:\/\/casa.fmleao.pt\/en\/speech\/","title":{"rendered":"Speech"},"content":{"rendered":"

[vc_row css=”.vc_custom_1717413794105{background-color: #25a2a8 !important;}”][vc_column width=”1\/4″ css=”.vc_custom_1732555489491{margin-top: -20px !important;margin-bottom: -20px !important;}” offset=”vc_hidden-sm vc_hidden-xs”][vc_single_image image=”8218″ img_size=”full” alignment=”center” onclick=”custom_link” css=”.vc_custom_1730980364504{margin-left: 140px !important;border-top-width: -20px !important;border-bottom-width: -20px !important;padding-top: -40px !important;padding-bottom: -40px !important;}” link=”https:\/\/casa.fmleao.pt\/en\/”][\/vc_column][vc_column width=”3\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1728991172470{padding-top: -20px !important;padding-bottom: -20px !important;background-color: #25a2a8 !important;}”][vc_column width=”1\/4″ css=”.vc_custom_1732021408854{margin-top: -20px !important;border-bottom-width: -20px !important;padding-top: -20px !important;padding-bottom: -20px !important;}” offset=”vc_hidden-lg vc_hidden-md”][vc_single_image image=”8218″ img_size=”” onclick=”custom_link” css=”.vc_custom_1732021457789{margin-bottom: -25px !important;margin-left: 40px !important;border-top-width: -20px !important;padding-top: -40px !important;padding-bottom: -40px !important;}” link=”https:\/\/casa.fmleao.pt\/en\/”][\/vc_column][vc_column width=”3\/4″ offset=”vc_hidden-lg vc_hidden-md”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1725891245858{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}” el_id=”sites”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1725889136127{padding-right: 20px !important;padding-left: 20px !important;}”]<\/p>\n

SITES<\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”12008″ img_size=”full” style=”vc_box_shadow” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1738773338906{padding-right: 20px !important;}” link=”https:\/\/narcissusmeetspandora.eu\/”][\/vc_column][vc_column width=”2\/4″][vc_column_text css=””]NARCISSUS MEETS PANDORA
\n<\/strong>#NarcissusMeetsPandora is an innovative arts-based practice that takes up digital technologies as tools for youth to critically and socially engage in the social media contents production.<\/p>\n

www.narcissusmeetspandora.eu<\/span><\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”12010″ img_size=”full” style=”vc_box_shadow” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1738773226063{padding-right: 20px !important;}” link=”https:\/\/presshere-industry.eu\/”][\/vc_column][vc_column width=”2\/4″][vc_column_text css=””]PRESS HERE INDUSTRY
\n<\/strong>Presshere is a project that aims to improve students and teachers\u2019 key competences regarding technology and knowledge of European industrial cultural heritage and labour, through innovative and creative practices, to generate socially inclusive actions, namely in gender equality.<\/p>\n

www.presshere-industry.eu<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”12012″ img_size=”full” style=”vc_box_shadow” onclick=”custom_link” img_link_target=”_blank” css=”.vc_custom_1738773609603{padding-right: 20px !important;}” link=”https:\/\/pretobrancoverde-bioimagens.pt\/”][\/vc_column][vc_column width=”2\/4″][vc_column_text css=””]BLACK WHITE GREEN – BIOMAGENS RESIDENCES
\n<\/strong>“Black \/ White \/ Green: Bioimages Residences” is a creative project in the field of photography that promotes the production of images through sustainable and ecological practices.<\/p>\n

www.pretobrancoverde-bioimagens.pt<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1725892051935{padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_separator color=”black” css=””][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1725891258133{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}” el_id=”edicoes”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1729246703417{padding-right: 20px !important;padding-left: 20px !important;}”]<\/p>\n

PUBLICATIONS<\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text css=”.vc_custom_1729680039183{margin-bottom: 10px !important;}”]\"\"ROTA N222 – IMAGES OF THE DOURO
\n<\/strong>Trevisan, Alexandra; Mateus, Joana; Azevedo, In\u00eas; Lourosa, Rui. CEAA | Centro de Estudos Arnaldo Ara\u00fajo, ESAP \/ CESAP, 2024. <\/span><\/p>\n

ver pdf<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"TROPISMO FOTOGR\u00c1FICO #03
\n<\/strong>Azevedo, In\u00eas; Mateus, Joana; Marques, Susana Louren\u00e7o; Assis, Tiago Barbedo. i2ADS, FBAUP, 2024. <\/span> <\/span><\/p>\n

ver pdf<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729613053041{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"FRAMEWORK: #NARCISSUSMEETSPANDORA
\n<\/strong>Grande, Catarina; Alves, Diana; Cadima, Joana; Maio, Rui; Saldanha, \u00c2ngela; Wagner, Ernst; E\u00e7a, Teresa; Severino, Alexandra. Coord. In\u00eas Azevedo e Joana Mateus. Funda\u00e7\u00e3o Manuel Le\u00e3o, 2022. <\/span> <\/span><\/p>\n

ver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729613030660{padding-top: 5px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"<\/span><\/i>GUIA PARA EDUCADORES: #NARCISSUSMEETSPANDORA<\/b>
\n<\/span>Grande, Catarina; Alves, Diana; Cadima, Joana; Maio, Rui; Saldanha, \u00c2ngela; Wagner, Ernst; E\u00e7a, Teresa; Severino, Alexandra. Coord. In\u00eas Azevedo e Joana Mateus. Funda\u00e7\u00e3o Manuel Le\u00e3o, 2022. <\/span> <\/span><\/p>\n

ver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"PRESSHERE: RESEARCH GUIDE
\n<\/strong>Moreira, In\u00eas; Severino, Alexandra; Duarte, Catarina; Domingues, Susana. Coord. In\u00eas Azevedo e Joana Mateus. Portugal: Funda\u00e7\u00e3o Manuel Le\u00e3o, 2022. <\/span> <\/span><\/p>\n

ver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"FOTO COMERCIAL TE\u00d3FILO REGO NA CASA-MUSEU J\u00daLIO DINIS
\n<\/strong>Azevedo, In\u00eas; Mateus, Joana; Fran\u00e7a, Ant\u00f3nio; Terra, Guilherme. C\u00e2mara Municipal de Ovar, 2023. <\/span> <\/span><\/p>\n

ver pdf<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””] \"\"COLE\u00c7\u00c3O DE POSTAIS Processos Fotogr\u00e1ficos Alternativos
\n<\/strong>Mateus, Joana; Azevedo, In\u00eas (editoras); Trevisan, Alexandra; Lourosa, Rui; Argiles, Filipe. CEAA – ESAP \/ Casa da Imagem – FML, 2020. <\/span> <\/span><\/p>\n

ver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"CARTILHA DAS MARAVILHAS
\n<\/strong>Mateus, Joana; Azevedo, In\u00eas; Lage, Susana. Casa da Imagem, FML, 2014. <\/span> <\/span><\/p>\n

ver pdf<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1729249480405{padding-right: 20px !important;}”]<\/p>\n

ARTIGOS EM LIVROS
\n<\/strong><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"<\/strong>Acting from the garden: reflections on a collaborative work of representation between the botanist and the photographer <\/b><\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana. In Costa, Miguel (ed.) Vegeta\u00e7\u00e3o Inquieta: registos improv\u00e1veis entre paisagem, arte e ru\u00edna<\/em>. CEAA, ESAP \/ CESAP, 2024. <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1741614308756{padding-right: 20px !important;}”]<\/p>\n

<\/strong><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"<\/strong>PRETO \/ BRANCO \/ VERDE: <\/span><\/b>RESID\u00caNCIAS BIOIMAGENS. <\/span><\/b>[Black\/White\/Green: Bioimages residencies]<\/span><\/b>
\n<\/span>Azevedo, In\u00eas; Mateus, Joana; Assis, Tiago; Marques, Susana Louren\u00e7o. In <\/span>Todas as Artes | Todos os Nomes<\/span><\/i>. Porto, Portugal: Universidade do Porto \u2013 Faculdade de Letras, 2024.<\/span> <\/span><\/p>\n

ver pdf<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"M\u00c9TODO INFINITO PARA CRIA\u00c7\u00d5ES TRANS-…<\/span><\/b>
\n<\/span>Post-Industrial Girls (Azevedo, In\u00eas; Mateus, Joana). In <\/span>Desindustrializa\u00e7\u00e3o, ainda. Ensaios visuais e metodologias art\u00edsticas, <\/span><\/i> ed. In\u00eas Moreira; Beatriz duarte; Flora Paim, 48-55. Lab2PT, 2023. <\/span> <\/span><\/p>\n

ver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"EXPOR-MEDIAR: CONCEP\u00c7\u00c3O DA EXPOSI\u00c7\u00c3O \u201cARQUITECTURA MODERNA NO ARQUIVO TE\u00d3FILO REGO\u201d
\n<\/strong>Azevedo, In\u00eas; Mateus, Joana. In Arquitectura Moderna no Arquivo Te\u00f3filo Rego, coord. Alexandra Trevisan, In\u00eas Azevedo, Joana Mateus. Cat\u00e1logo. Porto: CEAA, 2015. <\/span><\/p>\n

http:\/\/hdl.handle.net\/10400.26\/10425<\/a>
\n<\/span>ver pdf<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729613098456{padding-top: 5px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"<\/strong><\/p>\n

LACUNAS AND REINTERPRETATIONS: A CONTEMPORARY SIGHT ON TE\u00d3FILO REGO’S PHOTOGRAPHIC ESTATE
\n<\/span><\/b>Azevedo, In\u00eas; Mateus, Joana<\/span>. In <\/span>Visualisation & urban history in contemporary photography: Contemphoto \u201913<\/span><\/i>, 28-35. Instambul, Turkey: DAKAM Publishing, 2013.<\/span> <\/span><\/p>\n

ver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=”.vc_custom_1729610189198{margin-bottom: 10px !important;}”]BODY\u2019S FORMLESS FRAGMENT BECOMES PIECE OF THE WORLD
\n<\/strong>Azevedo, In\u00eas; Mateus, Joana; Faria, M\u00f3nica. <\/span>In <\/span>Seventy-two Assignments: The Foundation Course in Art and Design Today<\/span><\/i>. Paris, France: PCA Press, 2013.<\/span> <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729610221345{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=”.vc_custom_1729680147086{margin-bottom: 10px !important;}”]\"\"MEDIATING AND MATERIALIZING \/ PERCEIVING AND PARTICIPATING
\n<\/strong>Mateus, Joana; Azevedo, In\u00eas<\/span><\/span>. Paper <\/span>presented in<\/span> Photography & Moderne Architecture, Conference Proceedings. Porto: CEAA, 2015, p. 189-209 <\/span><\/span><\/p>\n

http:\/\/hdl.handle.net\/10400.26\/10285<\/span><\/a>
\nver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729610231324{padding-top: 5px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=”.vc_custom_1729680153718{margin-bottom: 10px !important;}”]\"\"<\/strong><\/p>\n

EM EXPOSI\u00c7\u00c3O: O FUNDO FOTOGR\u00c1FICO TE\u00d3FILO REGO E AS “EXPOSI\u00c7\u00d5ES MAGNAS”
\n<\/span><\/b>Azevedo, In\u00eas; Mateus, Joana \u2013 Em exposi\u00e7\u00e3o: o Fundo fotogr\u00e1fico Te\u00f3filo Rego e as \u201cExposi\u00e7\u00f5es Magnas\u201d in Fotografia e Arquivo. Porto: CEAA, Edi\u00e7\u00f5es Caseiras\/25, 2015, p. 59-69. <\/p>\n

http:\/\/hdl.handle.net\/10400.26\/10284<\/a>
\n<\/span>pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"TRABALHANDO NU<\/strong>M ARQUIVO. UMA ABORDAGEM INTEGRADA AO FUNDO \u201cTE\u00d3FILO REGO \u2013 FOTO COMERCIAL\u201d
\n<\/strong>Mateus, Joana; Azevedo, In\u00eas \u2013 Trabalhando num arquivo. Uma abordagem integrada ao Fundo \u201dTe\u00f3filo Rego \u2013 Foto Comercial\u201d in Fotografia e Arquivo. Porto: CEAA, Edi\u00e7\u00f5es Caseiras\/25, 2015, p. 9-17. <\/p>\n

http:\/\/hdl.handle.net\/10400.26\/10434<\/a>
\n<\/span>pdf<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1729090120585{padding-right: 20px !important;}”]<\/p>\n

ARTIGOS EM REVISTAS <\/strong>
\nINTERNACIONAIS<\/strong><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"BIOIMAGES: FROM HIGH TECH TO LOW TECH, OR JUST TECH? REFLECTIONS ON SUSTAINABLE TECHNOLOGY IN PRODUCTION OF IMAGES IN PEDAGOGICAL DYNAMICS
\n<\/strong>Assis, Tiago; Pinho, Tiago; Marques, Susana; Azevedo, In\u00eas; Mateus, Joana. <\/span>Paper presented in ICERI2023: 6th annual International Conference of Education, Research and Innovation, Sevilha, 2023. Published in ICERI proceedings 10.21125\/iceri.2023.1301 <\/span> <\/span><\/p>\n

Abstract View (iated.org)<\/a> <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729089889830{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=”.vc_custom_1729680176696{margin-bottom: 10px !important;}”]\"\"ARQUIVO-VIVO PRESSHERE COMO HERAN\u00c7A P\u00d3S-INDUSTRIAL: UM ENSAIO VISUAL SOBRE A ACTIVA\u00c7\u00c3O ART\u00cdSTICA E EDUCATIVA DE IMAGENS DA IND\u00daSTRIA EUROPEIA
\n<\/strong>Moreira, In\u00eas; Azevedo, In\u00eas; Mateus, Joana; Severino, Alexandra; Mendon\u00e7a, Joana. <\/span>Ge-conservacion, <\/span><\/i>2023.
\n<\/span>https:\/\/doi.org\/10.37558\/gec.v24i1.1268<\/a>
\n<\/span>ver pdf<\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729607677381{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"ARTS-BASED ACTIVITIES: CREATING TOGETHER
\n<\/strong>Mateus, Joana; Azevedo, In\u00eas. <\/span>IMAG<\/span><\/i> 15, 2023: 21-36.<\/span><\/p>\n

https:\/\/www.insea.org\/wp-content\/uploads\/2023\/10\/imag_15_special_final_1.pdf<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729609667979{padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″ css=”.vc_custom_1729091642939{padding-right: 20px !important;}”][vc_column_text css=””]\"\"DIORAMA ON ARCHITECTURE PHOTOGRAPHY: REFLECTIONS ON AN EDUCATIONAL SERVICE\u2019S WORKSHOP
\n<\/strong>Azevedo, In\u00eas; Mateus, Joana. <\/span>The International Journal of the Image<\/span><\/i> 8 2, 2017: 35-44.
\n<\/span><\/p>\n

http:\/\/dx.doi.org\/10.18848\/2154-8560\/cgp\/v08i02\/35-44<\/a>. <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1717424686812{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″ css=”.vc_custom_1729607798256{margin-top: 10px !important;}”][vc_column_text css=”.vc_custom_1729607762044{margin-top: 5px !important;padding-right: 20px !important;}”]<\/p>\n

ARTIGOS EM REVISTAS <\/strong>
\nNACIONAIS<\/strong><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"<\/strong><\/p>\n

O PROJETO #NARCISSUSMEETSPANDORA
\n<\/span><\/b>Mateus, Joana; Azevedo, In\u00eas. <\/span>Imaginar<\/span><\/i> 68, 2023: 7-62.<\/span><\/p>\n

https:\/\/www.apecv.pt\/imaginar-68<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729613217279{padding-top: 15px !important;padding-right: 50px !important;padding-bottom: 10px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text css=””]\"\"O TOQUE, A PR\u00c1TICA, A RU\u00cdNA E A ITINER\u00c2NCIA: MEDIA\u00c7\u00c3O MUSEOL\u00d3GICA E CRIA\u00c7\u00c3O DE PODER
\n<\/strong>Azevedo, In\u00eas; Mateus, Joana. <\/span>e-cadernos CES<\/span><\/i> 30, 2018
\n<\/span><\/p>\n

http:\/\/dx.doi.org\/10.4000\/eces.3949<\/a>
\n<\/span>ver pdf<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1731000175410{padding-top: 20px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_separator color=”black” css=””][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729613157025{padding-top: 5px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1731000101926{padding-right: 20px !important;padding-left: 20px !important;}”]<\/p>\n

POSTER
\nE OUTROS
\n<\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″ css=”.vc_custom_1729091622063{padding-right: 20px !important;}”][vc_column_text css=””]\"\"<\/span><\/p>\n

Irene Loureiro + Post Industrial Girls, <\/span><\/span><\/span>AC\/DC_associa\u00e7\u00f5es#1. <\/i><\/span><\/span><\/span> Improvisa v\u00eddeo. W <\/span><\/span><\/span>ith sounds from Cristina Casanova, John Saura in PressHere Gallery of sounds and images<\/a>. 2025. <\/span><\/span><\/span>https:\/\/api.improvisa.es\/v1\/compositions\/1127\/share\/
\n <\/span><\/span><\/a><\/span><\/p>\n

<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729613157025{padding-top: 5px !important;padding-right: 50px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1741615598707{padding-right: 20px !important;padding-left: 20px !important;}”]<\/p>\n

<\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″ css=”.vc_custom_1729091622063{padding-right: 20px !important;}”][vc_column_text css=””]\"\"Azevedo, In\u00eas; Mateus, Joana. <\/span>\u201cCaring for social justice in a former domestic-industrial setting turned house-museum\u201d ICAMT 2023 49<\/span>th<\/span> International Conference: Undoing Conflict In Museums – Materiality and meaning of museum architecture and\u202fexhibition design. 25\u201327 OCT 2023 PORTO, PORTUGAL <\/span> <\/span> <\/span>Site do encontro: <\/span>https:\/\/id.letras.up.pt\/icamt2023porto\/<\/a> <\/span>ver pdf<\/span><\/span><\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1731000223769{padding-top: 5px !important;padding-right: 50px !important;padding-bottom: 25px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″ css=”.vc_custom_1729091622063{padding-right: 20px !important;}”][vc_column_text css=””]\"\"Post-Industrial Girls (Mateus, Joana; Azevedo, In\u00eas). <\/span>Momento#1 PressHere Primeiro Tempo. Improvisa v\u00eddeo. 2023 Press Here “improvisa” na Garagem Avenida da EAAD – Casa da Imagem<\/a> <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1731000252026{margin-bottom: -5px !important;padding-right: 50px !important;padding-bottom: -5px !important;padding-left: 50px !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_separator color=”black” css=””][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1729089943443{padding-top: 15px !important;padding-right: 50px !important;padding-left: 50px !important;}” el_id=”comunicacoes”][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1729249860943{padding-right: 20px !important;padding-left: 20px !important;}”]<\/p>\n

APRESENTA\u00c7\u00d5ES
\nDE CONFER\u00caNCIA
\n<\/strong><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″ css=”.vc_custom_1729091622063{padding-right: 20px !important;}”][vc_column_text css=””]Azevedo, In\u00eas; Mateus, Joana.<\/span> PressHere – um arquivo vivo sobre ind\u00fastria europeia. Em \u201cArriscar (re)pensar a educa\u00e7\u00e3o art\u00edstica: percal\u00e7os e continuidades…\u201d, ESE IPV – Escola Superior de Educa\u00e7\u00e3o Instituto Polit\u00e9cnico de Viseu(Portugal) (Viseu, Portugal), 2023\/11\/24 <\/span><\/p>\n

Assis, Tiago; Pinho, Tiago; Marques, Susana; Azevedo, In\u00eas; Mateus, Joana. <\/span>Corresponding author: Assis, Tiago. “Bioimages: From High Tech To Low Tech, or just Tech? Reflections on Sustainable Technology in Production of Images in Pedagogical Dynamics”. Paper presented in ICERI2023: 6th annual International Conference of Education, Research and Innovation, Sevilha, <\/span>2023\/11\/13<\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana; Assis, Tiago; Marques, Susana Louren\u00e7o.<\/span> Preto|Branco|Verde: Resid\u00eanciasBioimagens. Encontro Internacional da RedeTodas as Artes | Todos os Nomes. Faculdade de Letras da Universidade do Porto (Porto, Portugal). 2023\/06\/23<\/span> <\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana.<\/span> \u201cMuseu Casa das Imagens. Din\u00e2micas de investiga\u00e7\u00e3o-a\u00e7\u00e3o entre o dom\u00e9stico e o industrial\u201d. Encontro APCM – Din\u00e2micas e Modelos de Gest\u00e3o das Casas-Museu da APCM, APCM – Associa\u00e7\u00e3o Portuguesa de Casas-Museu (Estarreja\/Ovar, Portugal) (Estarreja, Portugal). 2023\/06\/12<\/span> <\/span><\/p>\n

Mateus, Joana; Azevedo, In\u00eas. \u201c<\/span>2 museus, 3 escolas e 1 arquivo vivo: a ativa\u00e7\u00e3o do patrim\u00f3nio por meio de metodologias art\u00edsticas\u201d. 35\u00ba Encontro APECV: gota a gota -est\u00f3rias das artes na educa\u00e7\u00e3o. APECV \u2013 Associa\u00e7\u00e3o de Professores de Express\u00e3o e comunica\u00e7\u00e3o (Viseu) 2023\/05\/13 <\/span> <\/span><\/p>\n

Mateus, Joana; Azevedo, In\u00eas.<\/span> \u201cPressHere, primeiro tempo: a ativa\u00e7\u00e3o de imagens de arquivo sobre ind\u00fastria\u201d. Encontro de Investiga\u00e7\u00e3o em Artes Visuais “Desindustrializa\u00e7\u00e3o, ainda\u201d. Escola de Arquitectura, Arte e Design -Universidade do Minho (Guimar\u00e3es, Portugal). 2023\/04\/20<\/span> <\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana.<\/span> \u201cMetodologias art\u00edsticas entre museus e escolas: o projeto internacional PressHere\u201d. ESE IPP – Escola Superior de Educa\u00e7\u00e3o do Instituto Polit\u00e9cnico do Porto (Porto, Portugal). 2023\/04\/11<\/span> <\/span><\/p>\n

Mateus, Joana; Azevedo, In\u00eas<\/span>.<\/span> \u201cPerspectives on Creativity and STE(A)M Educational Fields: Perse toolbox\u201d. Perse Multiplier Event. Castello di Rivoli – Museo D’Arte Contemporanea (Rivoli, Italy). 2023\/02\/17<\/span> <\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana.<\/span> \u201cA Casa da Imagem e o Fundo Fotogr\u00e1fico\u201d. Conversa \u201cOs desafios na preserva\u00e7\u00e3o de um acervo fotogr\u00e1fico\u201d Museu J\u00falio Dinis – Uma Casa Ovarense (Ovar, Portugal). 2023\/01\/23<\/span> <\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana<\/span>.<\/span> \u201cProjeto PressHere: a living archive on European Industry\u201d. <\/span> Semin\u00e1rio PressHere | Um arquivo conceptual sobre imagens da ind\u00fastria. Casa da Imagem (Vila Nova de Gaia, Portugal). <\/span>2022\/12\/03<\/span> <\/span><\/p>\n

Mateus, Joana; Azevedo, In\u00eas<\/span>.<\/span> From myths to educational workshops. #NmP in Porto. <\/span> #NarcissusMeetsPandora Conference. EMST – Contemporary Art Museum of Athens (Atenas, Greece) 2022\/09\/22 <\/span> <\/span><\/p>\n

Mateus, Joana; Azevedo, In\u00eas.<\/span> \u201c#NarcissusMeetsPandora os retratos dos jovens e adolescentes nas redes sociais\u201d. Cen\u00e1rios Improv\u00e1veis: As artes nos futuros da Educa\u00e7\u00e3o. APECV \u2013 Associa\u00e7\u00e3o de Professores de Express\u00e3o e comunica\u00e7\u00e3o Visual (Viseu, Portugal). 2022\/05\/14<\/span> <\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana a. \u201c<\/span>Expor-Mediar Concep\u00e7\u00e3o da Exposi\u00e7\u00e3o Arquitectura Moderna no Arquivo Te\u00f3filo Rego\u201d. Encontro Arquitectura e Curadoria. Centro de Estudos Arnaldo Ara\u00fajo -Escola Superior Art\u00edstica do Porto (Porto, Portugal). 2020\/07\/06<\/span> <\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana. \u201c<\/span>O valor da Imagem na Era Digital\u201d. Internet, Prote\u00e7\u00e3o de Dados e Literacia para os Media. Grupo Informal de Literacia para os Media (Lisboa, Portugal). 2017<\/span> <\/span><\/p>\n

Azevedo, In\u00eas; Mateus, Joana<\/span>.<\/span> \u201cA diorama on architecture photography: finding punctumland\u201d. The Image Knowledge Community: Fifth International Conference on the Image. Freie Universitat Berlin (Berlim, Germany). 2014<\/span> <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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